Tone is a term that describes the quality of the instrument's pronunciation. Since each instrument has its own spectral distribution characteristics, the pronunciation of the same instrument is in different sound zones, although the sound perception is not necessarily the same, but the tone is generally the same.
The terms that describe the timbre characteristics are generally closely related to the instrument. The timbre term is generally richer than the sound, and the correlation between them is as follows:
Dull: This kind of sensation is given by the frequency of about 20 Hz, and when it is higher than 80 Hz, the sound will be thicker, so the sound with dullness is generally low, and there is very little overtone component. The instrument source with this pitch characteristic is generally the bass area of ​​the bass instrument.
Heavy: From the perspective of sound sensitivity, the heavy feeling is the unique sound effect at the 80 Hz frequency point, and from the sound pattern characteristics, the short bass sound type musical instrument has a stronger sense of gravity.
Low: Low is often used to describe a slightly richer sound. His fundamental frequency may be the same as a dull sound, but most of its higher harmonics are more abundant than dull sound.
Deep: This is an emotional adjective, often used to express the color of the "loose" low frequency response, the fundamental frequency is slightly higher than the low sound. Generally with deep sense of the instrument, the most typical is the cello and the bass area.
Thickness: This kind of sound is a characteristic of a wide-spectrum sound source, so the thick sound is generally a sound source with a low fundamental frequency and a wide spectrum.
Thickness: Thickness refers to the low-frequency sound with high integration, and the typical sound source with a thick sense is the low-range of the celesta.
Plump: This is the sound characteristic of the sound source with a frequency between 100 and 250 Hz. Generally speaking, the sound source in this frequency band will inevitably have rich sound effects.
Generosity: If the spectrum is wider, a richer sound will be produced.
Full: This is a kind of low-frequency sound called strongness. Generally, the electric bass with "turbine distortion" effect is added. This sound characteristic is very obvious.
Bright: Generally, when the fundamental frequency of the music is higher than 500 Hz, it will become brighter. Even when it is as high as 7500 Hz, we can't say that it is not bright, so the brightness of the sound source is a relatively general. adjective. The brightness is most noticeable at 2800 Hz.
Loud: It is often used to describe a high-definition sound with a neck, and when the spectrum is above 4000 Hz, the sound source does not have this pitch characteristic.
Hongliang: A high-bright sound with a certain fusion.
Rounded: refers to a softer, high-brightness sound.
Soft: Compared with roundness, the softness is more dull and is a relatively low-brightness sound.
Crisp: The sound that is concentrated in the spectrum between 4000 and 8000 boxes generally has a certain crisp effect.
Sorghum: refers to the high-penetration crisp sound, and the typical instrument with this phonological feature is 唢å‘.
Sharp: The sound of the spectrum concentrated around 6800 Hz is generally sharp and harsh.
Sharp and sharp: If you have a sharp sound with a similar distortion, you can produce a sharp sound effect.
Slim: Music with a spectrum above 8000 Hz generally has a slender sound effect.
Fusion: Soft sounds that are generally difficult to highlight have a certain sense of integration. Of course, all sources can be measured by the degree of fusion or non-fusion. In musical instruments, it is generally believed that the viola and cello have the best sense of fusion.
Cognac: This is an antonym of fusion. The high-frequency sounds that are generally lacking in harmonics and dissonant overtones have some degree of cognac. Among the instruments, he is mainly caused by the lack of resonance in the extremely high-pitched area.
Solid: A narrow-band sound system of around 600 Hz, and a short-sounding sound pattern, all have a certain sense of sound.
Void: refers to a dull sound with a "staining" effect, which is often used to describe the sound of a big wooden fish.
Warmth: This is a word that describes the color of the music. He is generally proportional to the "staining degree" of the sound. For example, the clock has a subtle sound.
Rough: If the low-frequency sound has an effect similar to overload distortion, it can form a rough sound.
Rough: Roughness is a rough sound with a slight sand sound. Generally, the trumpet and the horn have this vocal characteristic when playing the bass zone.
Hoarse: Specially made with a false "sound" sound effect.
Vigorous: This is an adjective with affection, generally refers to the hoarse sound in the lower frequency band, such as the bass area of ​​the big pipe.
Tension: This is the result of some special discordant overtones in the tone.
The sense of strength: the sense of strength in the low frequency band specifically refers to the sound in the 200~500 box frequency band, such as: the bass area of ​​Dagu and Dahu, the sense of strength is better. In the middle and high frequency bands, the sense of strength refers to the high-penetration, high-protrusion, soft-sounding sound. In the middle and high-pitched areas of the general high-pitched brass instruments, they have a good sense of strength.
Penetration: refers to the high-protrusion, high-brightness sound, the penetration is more obvious around 4500 Hz.
Glimmer: refers to a high roundness sound with a certain sense of standing.
Sadness: Despair and warmth are anti-sense, and it is also a kind of emotional. The typical instrument sound source with this phonological feature is the midrange of the midrange oboe.
Gloomy: High-tension low-range sound can form a gloomy sound effect.
Flat: This is the sound effect unique to the 2500 Hz. Music near this frequency point is generally obviously "flat" feeling. Such as: Banhu, Erhu, etc., the second kind of sound characteristics are very obvious.
Darkening: If the spectral components above 6000 Hz are missing from the tone, the pronunciation can be made "dark".
Deficiency: This is caused by the increase in noise when the instrument is at a higher scale. This noise is usually similar to the airflow.
Extremely high frequency:
16K-20K color enhancement has a mystery;
12K-16K high frequency overtone, brilliance;
10K-12K high frequency overtone, gloss;
High frequency and high frequency low section:
8K-10K S sound;
6K-8K Brightness, transparency, lifting tooth tone, falling sound bleak;
The clarity of the 5K-6K language improves sharpness and fatigue;
Upper IF:
The surface loudness of the 4K-5K instrument enhances the distance between the instrument and the instrument;
4K penetration, enhance cough;
2K-3K most sensitive to brightness, to enhance the sound hard, unnatural <br> IF:
1K-2K has a sense of transparency and smoothness, and has a sense of jumping and loose landing;
800 strength to increase the weight of the throat;
500-1K vocal pitch, sound contour, enhance the voice lordosis, landing voice contraction;
300-500 voice main sound zone, enhance voice monotonous, drop voice hole;
Middle frequency low section:
150-300 Sound intensity, male voice strength, enhance sound hard, no features, landing: soft, floating;
Low frequency:
100-150 fullness, lifting turbidity, falling thin;
60-100 浑 æ„Ÿ , , , æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡
20-60 sense of space, improve low frequency resonance (å—¡), drop emptiness;
Low frequency upper section 80-160;
Medium and low frequency 40-80;
Low frequency lower section 20-40;
Ultra low frequency 32-~.
The terms that describe the timbre characteristics are generally closely related to the instrument. The timbre term is generally richer than the sound, and the correlation between them is as follows:
Dull: This kind of sensation is given by the frequency of about 20 Hz, and when it is higher than 80 Hz, the sound will be thicker, so the sound with dullness is generally low, and there is very little overtone component. The instrument source with this pitch characteristic is generally the bass area of ​​the bass instrument.
Heavy: From the perspective of sound sensitivity, the heavy feeling is the unique sound effect at the 80 Hz frequency point, and from the sound pattern characteristics, the short bass sound type musical instrument has a stronger sense of gravity.
Low: Low is often used to describe a slightly richer sound. His fundamental frequency may be the same as a dull sound, but most of its higher harmonics are more abundant than dull sound.
Deep: This is an emotional adjective, often used to express the color of the "loose" low frequency response, the fundamental frequency is slightly higher than the low sound. Generally with deep sense of the instrument, the most typical is the cello and the bass area.
Thickness: This kind of sound is a characteristic of a wide-spectrum sound source, so the thick sound is generally a sound source with a low fundamental frequency and a wide spectrum.
Thickness: Thickness refers to the low-frequency sound with high integration, and the typical sound source with a thick sense is the low-range of the celesta.
Plump: This is the sound characteristic of the sound source with a frequency between 100 and 250 Hz. Generally speaking, the sound source in this frequency band will inevitably have rich sound effects.
Generosity: If the spectrum is wider, a richer sound will be produced.
Full: This is a kind of low-frequency sound called strongness. Generally, the electric bass with "turbine distortion" effect is added. This sound characteristic is very obvious.
Bright: Generally, when the fundamental frequency of the music is higher than 500 Hz, it will become brighter. Even when it is as high as 7500 Hz, we can't say that it is not bright, so the brightness of the sound source is a relatively general. adjective. The brightness is most noticeable at 2800 Hz.
Loud: It is often used to describe a high-definition sound with a neck, and when the spectrum is above 4000 Hz, the sound source does not have this pitch characteristic.
Hongliang: A high-bright sound with a certain fusion.
Rounded: refers to a softer, high-brightness sound.
Soft: Compared with roundness, the softness is more dull and is a relatively low-brightness sound.
Crisp: The sound that is concentrated in the spectrum between 4000 and 8000 boxes generally has a certain crisp effect.
Sorghum: refers to the high-penetration crisp sound, and the typical instrument with this phonological feature is 唢å‘.
Sharp: The sound of the spectrum concentrated around 6800 Hz is generally sharp and harsh.
Sharp and sharp: If you have a sharp sound with a similar distortion, you can produce a sharp sound effect.
Slim: Music with a spectrum above 8000 Hz generally has a slender sound effect.
Fusion: Soft sounds that are generally difficult to highlight have a certain sense of integration. Of course, all sources can be measured by the degree of fusion or non-fusion. In musical instruments, it is generally believed that the viola and cello have the best sense of fusion.
Cognac: This is an antonym of fusion. The high-frequency sounds that are generally lacking in harmonics and dissonant overtones have some degree of cognac. Among the instruments, he is mainly caused by the lack of resonance in the extremely high-pitched area.
Solid: A narrow-band sound system of around 600 Hz, and a short-sounding sound pattern, all have a certain sense of sound.
Void: refers to a dull sound with a "staining" effect, which is often used to describe the sound of a big wooden fish.
Warmth: This is a word that describes the color of the music. He is generally proportional to the "staining degree" of the sound. For example, the clock has a subtle sound.
Rough: If the low-frequency sound has an effect similar to overload distortion, it can form a rough sound.
Rough: Roughness is a rough sound with a slight sand sound. Generally, the trumpet and the horn have this vocal characteristic when playing the bass zone.
Hoarse: Specially made with a false "sound" sound effect.
Vigorous: This is an adjective with affection, generally refers to the hoarse sound in the lower frequency band, such as the bass area of ​​the big pipe.
Tension: This is the result of some special discordant overtones in the tone.
The sense of strength: the sense of strength in the low frequency band specifically refers to the sound in the 200~500 box frequency band, such as: the bass area of ​​Dagu and Dahu, the sense of strength is better. In the middle and high frequency bands, the sense of strength refers to the high-penetration, high-protrusion, soft-sounding sound. In the middle and high-pitched areas of the general high-pitched brass instruments, they have a good sense of strength.
Penetration: refers to the high-protrusion, high-brightness sound, the penetration is more obvious around 4500 Hz.
Glimmer: refers to a high roundness sound with a certain sense of standing.
Sadness: Despair and warmth are anti-sense, and it is also a kind of emotional. The typical instrument sound source with this phonological feature is the midrange of the midrange oboe.
Gloomy: High-tension low-range sound can form a gloomy sound effect.
Flat: This is the sound effect unique to the 2500 Hz. Music near this frequency point is generally obviously "flat" feeling. Such as: Banhu, Erhu, etc., the second kind of sound characteristics are very obvious.
Darkening: If the spectral components above 6000 Hz are missing from the tone, the pronunciation can be made "dark".
Deficiency: This is caused by the increase in noise when the instrument is at a higher scale. This noise is usually similar to the airflow.
Extremely high frequency:
16K-20K color enhancement has a mystery;
12K-16K high frequency overtone, brilliance;
10K-12K high frequency overtone, gloss;
High frequency and high frequency low section:
8K-10K S sound;
6K-8K Brightness, transparency, lifting tooth tone, falling sound bleak;
The clarity of the 5K-6K language improves sharpness and fatigue;
Upper IF:
The surface loudness of the 4K-5K instrument enhances the distance between the instrument and the instrument;
4K penetration, enhance cough;
2K-3K most sensitive to brightness, to enhance the sound hard, unnatural <br> IF:
1K-2K has a sense of transparency and smoothness, and has a sense of jumping and loose landing;
800 strength to increase the weight of the throat;
500-1K vocal pitch, sound contour, enhance the voice lordosis, landing voice contraction;
300-500 voice main sound zone, enhance voice monotonous, drop voice hole;
Middle frequency low section:
150-300 Sound intensity, male voice strength, enhance sound hard, no features, landing: soft, floating;
Low frequency:
100-150 fullness, lifting turbidity, falling thin;
60-100 浑 æ„Ÿ , , , æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡ æå‡
20-60 sense of space, improve low frequency resonance (å—¡), drop emptiness;
Low frequency upper section 80-160;
Medium and low frequency 40-80;
Low frequency lower section 20-40;
Ultra low frequency 32-~.
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